Fonts-online.com. Fonts for Windows and Mac

ITC Tyfa font

ITC Tyfa

ITC Tyfa family (ITC library) contains 18 fonts.

Some words from the designer, Frantisek Storm...

Designed by Josef Tyfa in 1959, digitalized by F. Storm in 1996. This Roman and Italic are well-known perhaps to all Czech graphic artists and typographers ever since their release. Although this type face in some details is under the sway of the period of its rise, its importance is timeless, in contradistinction to other famous types dating from the turn of the sixties which were found, after some time, to be trite. The italics live their own life, only their upper-case letters have the same expression as the basic design. Thin and fragile, they work excellently, emphasizing certain parts in the text by their perfect contrast of expression. When seen from a distance they are a little bit darker than the Roman face.

Tyfa Roman was released in 1960 by Grafotechna in Prague for hot setting. Later on, Berthold produced letter matrices - “rulers” for Staromat devices, used for manual photosetting of display alphabets. In the eighties it was available on dry transfers of Transotype and today it is offered also by ITC.

The meticulously executed designs of the individual letters in the 288 point size are arranged into a set of signs on a cardboard of about B2 in size. The yellowed paper reveals retouches by white paint on the ink. Blue lines mark the baseline, the capital line, the ascender and descender lines and the central verticals of the letters. With regard to the format of the flat scanner, the designs had to be reduced, with the use of a camera, to the format A4, i.e. to the upper-case letter height of about 30 mm. These were then scanned in 600 dpi resolution and read as a bitmap template to the FontStudio programme.

The newly created bold type faces derive from Tyfa’s designs of the letters “a”, “n”, “p”, the darkness of which was increased further, approximately by 3%, to enhance their emphasizing function. The text designs have hairstrokes thickened by one third; the contrast between thin and thick strokes has been modified, in order to improve legibility, in sizes under 12 points.

We have used electronic interpolation to produce the semi-bold designs. Josef Tyfa himself recommends to choose a somewhat darker design than the basic one for printing of books.

Tyfa Std Book

Tyfa Std Book sample
buy the font

Tyfa Std Book Italic

Tyfa Std Book Italic sample
buy the font

Tyfa Std Medium

Tyfa Std Medium sample
buy the font

Tyfa Std Medium Italic

Tyfa Std Medium Italic sample
buy the font

Tyfa Std Bold

Tyfa Std Bold sample
buy the font

Tyfa Std Bold Italic

Tyfa Std Bold Italic sample
buy the font

Tyfa Pro Book

Tyfa Pro Book sample
buy the font

Tyfa Pro Book Italic

Tyfa Pro Book Italic sample
buy the font

Tyfa Pro Medium

Tyfa Pro Medium sample
buy the font

Tyfa Pro Medium Italic

Tyfa Pro Medium Italic sample
buy the font

Tyfa Pro Bold

Tyfa Pro Bold sample
buy the font

Tyfa Pro Bold Italic

Tyfa Pro Bold Italic sample
buy the font

Tyfa Book

Tyfa Book sample
buy the font

Tyfa Book Italic

Tyfa Book Italic sample
buy the font

Tyfa Medium

Tyfa Medium sample
buy the font

Tyfa Medium Italic

Tyfa Medium Italic sample
buy the font

Tyfa Bold

Tyfa Bold sample
buy the font

Tyfa Bold Italic

Tyfa Bold Italic sample
buy the font

Font collection on Fonts-online.com
Alphabet font list

All ITC Fonts

All Linotype Fonts

All Bitstream Fonts

All FontFont Fonts

All Monotype Imaging Fonts

All Parachute Fonts