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Classic Grotesque font

Classic Grotesque family (Monotype Imaging library) contains 56 fonts.

Classic Grotesque by Rod McDonald:a traditional font with a modern face.

The growing popularity of grotesque typefaces meant that many new sans serif analogues were published in the early 20th century. Setting machines were not compatible with each other but all foundries wanted to offer up-to-date fonts, and as a result numerous different typeface families appeared that seem almost identical at first glance and yet go their separate ways with regard to details. One of the first fonts created with automatic typesetting in mind was Monotype Grotesque®. Although this typeface that was designed and published by Frank Hinman Pierpont in 1926 has since been digitalised, it has never achieved the status of other grotesque fonts of this period. But Monotype Grotesque was always one of designer Rod McDonald’s favourites, and he was overjoyed when he finally got the go-ahead from Monotype in 2008 to update this “hidden treasure”.

The design process lasted four years, with regular interruptions due to the need to complete projects for other clients. In retrospect, McDonald admits that he had no idea at the beginning of just how challenging and complex a task it would be to create Classic Grotesque™. It took him considerable time before he found the right approach. In his initial drafts, he tried to develop Monotype Grotesque only to find that the result was almost identical with Arial®, a typeface that is also derived in many respects from Monotype Grotesque. It was only when he went back a stage, and incorporated elements of Bauer Font’s Venus™ and Ideal Grotesk by the Julius Klinkhardt foundry into the design process, that he found the way forward. Both these typefaces had served as the original inspiration for Monotype Grotesque.
The name says it all: Classic Grotesque has all the attributes of the early grotesque fonts of the 20th century: The slightly artificial nature gives the characters a formal appearance. There are very few and only minor variations in line width. The tittles of the ‘i’ and ‘j’, the umlaut diacritic and other diacritic marks are rectangular. Interestingly, it is among the uppercase letters that certain variations from the standard pattern can be found, and it is these that enliven the typeface. Hence the horizontal bars of the “E”, “F” and “L” have bevelled terminals. The chamfered terminal of the bow of the “J” has a particular flamboyance, while the slightly curved descender of the “Q” provides for additional dynamism. The character alternatives available through the OpenType option provide the designer with a wealth of opportunities. These include a closed “a”, a double-counter “g” and an “e” in which the transverse bar deviates slightly from the horizontal.

The seven different weights also extend the scope of uses of Classic Grotesque. These range from the delicate Light to the super thick Extrabold. There are genuine italic versions of each weight; these are not only slightly narrower than their counterparts, but also have variant shapes. The “a” is closed, the “f” has a semi-descender while the “e” is rounded.

Its neutral appearance and excellent features mean that Classic Grotesque is suitable for use in nearly all imaginable applications. Even during the design phase, McDonald used his new font to set books and in promotional projects. However, he would be pleased to learn of possible applications that he himself has not yet considered. Classic Grotesque, which has its own individual character despite its neutral and restrained appearance, is the ideal partner for your print and web project.

Classic Grotesque Pro-Light

Classic Grotesque Pro-Light sample
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Classic Grotesque Pro-Light It

Classic Grotesque Pro-Light It sample
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Classic Grotesque Pro-Book

Classic Grotesque Pro-Book sample
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Classic Grotesque Pro-Book It

Classic Grotesque Pro-Book It sample
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Classic Grotesque Pro-Regular

Classic Grotesque Pro-Regular sample
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Classic Grotesque Pro-Italic

Classic Grotesque Pro-Italic sample
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Classic Grotesque Pro-Medium

Classic Grotesque Pro-Medium sample
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Classic Grotesque Pro-Medium It

Classic Grotesque Pro-Medium It sample
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Classic Grotesque Pro-SemiBold

Classic Grotesque Pro-SemiBold sample
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Classic Grotesque Pro-SemiBoldd Italic

Classic Grotesque Pro-SemiBoldd Italic sample
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Classic Grotesque Pro-Bold

Classic Grotesque Pro-Bold sample
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Classic Grotesque Pro-Bold Italic

Classic Grotesque Pro-Bold Italic sample
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Classic Grotesque Pro XBold

Classic Grotesque Pro XBold sample
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Classic Grotesque Pro XBold Italic

Classic Grotesque Pro XBold Italic sample
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Classic Grotesque Pro Cn Lt

Classic Grotesque Pro Cn Lt sample
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Classic Grotesque Pro Cn Light Italic

Classic Grotesque Pro Cn Light Italic sample
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Classic Grotesque Pro Cn Bookk

Classic Grotesque Pro Cn Bookk sample
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Classic Grotesque Pro Cn Book Italic

Classic Grotesque Pro Cn Book Italic sample
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Classic Grotesque Pro Cn

Classic Grotesque Pro Cn sample
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Classic Grotesque Pro Cn Italic

Classic Grotesque Pro Cn Italic sample
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Classic Grotesque Pro Cn Medium

Classic Grotesque Pro Cn Medium sample
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Classic Grotesque Pro Cn Medium Italic

Classic Grotesque Pro Cn Medium Italic sample
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Classic Grotesque Pro Cn SBd

Classic Grotesque Pro Cn SBd sample
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Classic Grotesque Pro Cn SemiBold Italic

Classic Grotesque Pro Cn SemiBold Italic sample
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Classic Grotesque Pro Cn Bold

Classic Grotesque Pro Cn Bold sample
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Classic Grotesque Pro Cn Bold Italic

Classic Grotesque Pro Cn Bold Italic sample
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Classic Grotesque Pro Cn XBold

Classic Grotesque Pro Cn XBold sample
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Classic Grotesque Pro Cn XBold Italic

Classic Grotesque Pro Cn XBold Italic sample
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Classic Grotesque Pro Cm Light

Classic Grotesque Pro Cm Light sample
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Classic Grotesque Pro Cm Light Italic

Classic Grotesque Pro Cm Light Italic sample
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Classic Grotesque Pro Cm Book

Classic Grotesque Pro Cm Book sample
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Classic Grotesque Pro Cm Book Italic

Classic Grotesque Pro Cm Book Italic sample
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Classic Grotesque Pro Cm

Classic Grotesque Pro Cm sample
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Classic Grotesque Pro Cm Italic

Classic Grotesque Pro Cm Italic sample
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Classic Grotesque Pro Cm Medium

Classic Grotesque Pro Cm Medium sample
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Classic Grotesque Pro Cm Medium Italic

Classic Grotesque Pro Cm Medium Italic sample
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Classic Grotesque Pro Cm SemiBold

Classic Grotesque Pro Cm SemiBold sample
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Classic Grotesque Pro Cm SemiBold Italic

Classic Grotesque Pro Cm SemiBold Italic sample
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Classic Grotesque Pro Cm Bold

Classic Grotesque Pro Cm Bold sample
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Classic Grotesque Pro Cm Bold Italic

Classic Grotesque Pro Cm Bold Italic sample
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Classic Grotesque Pro Cm XBold

Classic Grotesque Pro Cm XBold sample
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Classic Grotesque Pro Cm XBold Italic

Classic Grotesque Pro Cm XBold Italic sample
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Classic Grotesque Pro Ext Lightt

Classic Grotesque Pro Ext Lightt sample
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Classic Grotesque Pro Ext Light Italic

Classic Grotesque Pro Ext Light Italic sample
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Classic Grotesque Pro Ext Book

Classic Grotesque Pro Ext Book sample
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Classic Grotesque Pro Ext Book Italic

Classic Grotesque Pro Ext Book Italic sample
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Classic Grotesque Pro Extended

Classic Grotesque Pro Extended sample
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Classic Grotesque Pro Ext Italic

Classic Grotesque Pro Ext Italic sample
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Classic Grotesque Pro Ext Medium

Classic Grotesque Pro Ext Medium sample
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Classic Grotesque Pro Ext Medium Italic

Classic Grotesque Pro Ext Medium Italic sample
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Classic Grotesque Pro Ext SemiBold

Classic Grotesque Pro Ext SemiBold sample
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Classic Grotesque Pro Ext SemiBold Italic

Classic Grotesque Pro Ext SemiBold Italic sample
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Classic Grotesque Pro Ext Bold

Classic Grotesque Pro Ext Bold sample
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Classic Grotesque Pro Ext Bold Italic

Classic Grotesque Pro Ext Bold Italic sample
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Classic Grotesque Pro Ext XBold

Classic Grotesque Pro Ext XBold sample
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Classic Grotesque Pro Ext XBold Italic

Classic Grotesque Pro Ext XBold Italic sample
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